Monday, April 09, 2012

Inspiration and Plans

The other week I made a wig for my new doll Nacho:


 It had been the first thing I had made for one of my dolls, and not related to my shop at all in a long time. And it made me want to do more things for my dolls that were just for them, and not a prototype for outfits for the store. So today I went back to some ideas I've been wanting to work on for ages, and did a bit of material sourcing.
While I naturally like to do my own designs for my store, there are pre existing outfits that I love and have always wanted to replicate for my dolls.

First up is Lucy's wedding gown. She's meant to marry Nacho, who is King of the Forest, so she needs something appropriate for the occasion:
I have been collecting materials to recreate this McQueen gown for her for years now. It's not easy finding the right scale of lace pattern for hte bodice and sleeves! I have that now, but last year I got a hold of Savage Beauty, the book that accompanied the MET exhibition, and learned that the ruffles were made differently to how I had thought, so I need to buy more fabric for that! I have the Soom Amber clear antlers, and I won't be doing the bubble of lace around her head, so once I get more fabric for the ruffles, I should finally be able to start this!

Another gown I've been wanting to recreate for awhile, is this stunning 50s Balmain gown for Ophelia:
Cause who else in my crew but a Queen would wear vintage couture? ;)
I ordered the ostritch feathers today, and found some suppliers of really tiny swarovski hotfix gems, and small sequins. Just need to save up for them and the silk organza.

And then there's the dress which Brendon thinks I'll kill my hands on, and he could be right:
A gown once worn by Russian Empress Maria Feodorvna, which I desperately want to recreate for my Anastazja. Searching for tiny pearls today I stumbled upon a store having a sale on czech glass ones, so I bought over 6000 pearls in the four different sizes and shapes on this gown. I'm not expecting to make this one any time soon, as I'll need to source the right silk jacquard and lace, but I'm really looking forward to starting on it. 

There's others I'm sure I've forgotten, and some which have sat half finished on my work table for awhile, but these are the three that have been consuming my thoughts of late. 



 

 

Tuesday, April 03, 2012

Level Up Your Doll Sewing! Pattern Matching and Why I Think It's Important

 Welcome to the second installment of my posts on doll sewing! Instead of specific "how to sew X" tutorials, I have decided to focus more on little tips and tricks to bring your sewing to the next level. Some posts will be more complicated than others, but I do want to try and make each post as easily understandable as possible to most people.

Making tutorials is a very new process for me, so I hope this is clear. If it isn't, do let me know!

Pattern Matching and Why I Think It’s Important




Clothing made from patterned fabric can make an otherwise plain outfit look bold or interesting, but how you use that fabric can determine just how good it looks.
In my last post I briefly touched on the importance of scale in doll clothing, and how the wrong size print can stop a garment from looking realistic. Today I’m going to talk about the importance of balance, specifically in regards to fabric patterns.
Patterned fabric will catch a person’s eye, and naturally we want them to like what they see. Like the composition of a picture, a garment needs to be balanced in order for it to be harmonious. If it isn’t, people may feel something isn’t quite right, even if they can’t put their finger on it. Matching the pattern on your fabric can help with this.

I will be using plaid fabric as an example in this post, as the vertical and horizontal lines help illustrate this balance.



1. Centre front = central focus
Imagine a vertical line down the centre of your body, splitting your body into left and right sides. This is known in sewing as your centre front (and of course the same point on your back is your centre back). This is generally your central point of focus, and you want your fabric to be the most perfectly aligned at this point.
This old Bibian Blue corset is a good example of poor pattern matching at the centre front:

See how one side is slightly lower than the other? This results in the corset having an awkward, slightly sloping look. With geometric patterns like this you need to be level horizontally, or make it obviously diagonal.
With the dress I have made here, I have used the line for my centre front point, as it is the centre of the pattern. This way it will be easier to achieve symmetry and balance cutting out other pieces. The waistband is curved and I knew I wasn’t going to be able to match it to the bodice, so I cut it so that the pattern is obviously diagonal as a contrast.


2. Matching patterns for bodices/dresses
Now if we’re matching patterns on pattern pieces which have a flat edge, it’s naturally a lot easier than something with curves. So how do you get your curved pieces to match up?

Firstly, you are going to have to cut each piece out separately, you can’t fold your fabric in half and cut two pieces. Why? Because the patterns rarely match. You will have much more control if you cut each piece out separately.
Once you have cut out your centre front piece/s, lay out the next piece. Make sure that any horizontal lines match up, especially at the top and bottom of the piece, the bust and the waist. You will use these lines to match your pattern up when sewing the pieces together.

The piece on the right is my centre front piece. The bottom of the piece is on a thin black line, so I have placed my side front piece on the same line. The little lines on my pattern at the curve of the bust is where the bust point is. I have just slightly cut into my pattern so that I know where the bust point is. Making a little cut into the fabric at the bust, waist and hip points can help with pattern matching if you have no horizontal lines on your fabric to match up (just be sure to not cut further in than the seam allowance!)
My cut is in between the thin black line and the thicker patterned line, so I line my side front pattern up the same. Once you have lined them up, cut them out. Then you do the same on the other side, making sure that it mirrors the piece you just cut out.
Then you do the same thing with each piece, lining it up against the connecting piece you just cut out, until you have all your pieces:


Check that everything balances out – your horizontal lines are staying horizontal; and your pieces mirror each other.

3. Matching patterns for pants.
Pattern matching works essentially the same for pants, except that this time the most visible point of matching is the side seam.
Lay your patterns out so that the side seams match, again using any horizontal lines as balance for the hem, crotch and hip lines.


If you have pockets at the front, try and match up the pocket pieces with the front of the pants:


Once it is sewn, the patterns on the pants and pocket should match up like so:


4. Matching as you sew
As you are sewing, make sure you’re matching up any horizontal points. It is usually best to pin those main points together like so:


If they matched up correctly, they should look like this once sewn:

And that's it! I hope that this has been helpful to people! By all means let me know if anything doesn't make sense, or if my tutorials need more pictures to help make things clearer.